Routine Jazz Sextet from 2008 promotes genuine jazz from Tokyo with the flavor of 1950/60’s era jazz giants such as Horace Silver and Art Blakey & the Jazz Messengers. Not just a throwback, the band honors the musical legacy while incorporating the youthful, modern sound and mindset of current jazz players from Japan.

Perhaps not well-known among standard jazz fans, the Routine Jazz Label from famed producer and DJ Kei Kobayashi gained international renown with “club jazz” compilations such as Schema, Deja Vu, and Ricky-Tick, beat-oriented music remixed with jazz and bossa nova samples for dance clubs and trance-leaning airwaves.

Here, Kobayashi joins forces with Takehiko Komine (owner of respected Tokyo jazz club Nardis) to produce “Routine Jazz Sextet”, a tongue-in-cheek comment on his popular club jazz albums, advertised as a “genuine jazz from Tokyo” response to popular club jazz. While straightforward jazz, in one way this is a crossover album, picking songs from the hard bop era that relate to samples and music used in club jazz.

With nine tracks over 39 minutes, the music is propulsive, boiling and full of energy. Most of the songs run at around four minutes, straight-ahead showcases for the horn arrangements and improvisations, as well as the unflagging power of the rhythm section which steams through the tracks. The songs include a nice blend of selections from America and Europe, bringing to mind the sounds of Cannonball Adderley, Wayne Shorter, and Ray Bryant, and of course the aforementioned hard bop giants Art Blakey and Horace Silver. Routine in name only, this is wholly enjoyable from start to finish.

Routine Jazz Sextet by Routine Jazz Sextet

Released in 2008 on Routine Records as RCJP-002. Produced by Kei Kobayashi 小林径 and Takehiko Komine 小峯武彦.

Japanese Names: Tomoyuki Konno 紺野智之 Shinpei Ruike 類家心平 Wataru Hamasaki 浜崎航 Taku Akiyama 秋山卓 Koichi Sato 佐藤浩一 Haruhisa Takamichi 高道晴久

Audio and Video

Excerpt from "The Crosseyed Cat", the third track on this album:

Copyright © 2020
Jan 21, 2020