Magnolia: El viento y las flores
Magnolia: El viento y las flores
Jazz of Japan #290 • Feb 3, 2025 • Brian McCrory
Magnolia is a trio made up of vibraphone, piano, and percussion, and their debut album, El viento y las flores was released in 2022. This fifty-six-minute album contains ten tracks of all original compositions, four from vibraphonist Reiko Yamamoto and three each from pianist Yuka Yanagihara and percussionist Hitomi Aikawa. Despite having three independent composers, their tight interplay and musical personalities seem tightly bound together, as if their collective music just blooms out intuitively unified.
The compositions start from a base of jazz and improvisation but are filled with many other various elements. There is a sense of a deep connection to ethnic rhythms and sounds, such as some Spanish elements as with the titles of the first track and the album itself. Some of the writing and the piano parts recall Chick Corea’s “Spanish heart” as a component, and there could be some Return to Forever-type jazz/rock/Latin fusion characteristics that subtly power the music as well.
Not to say that this is Latin music or Latin jazz, but that anything could be an influence. This includes Japanese musical training, American jazz education (both Yamamoto and Yanagihara studied at Berklee College of Music), and classical and jazz study, with Japanese soul also brought in via the backgrounds of the three musicians.
Similarly, there are rhythms and music that are not only based on jazz, pop, or Latin fusion, but seem to be infused with some cultural and historical influences. For example, medieval, roots, or tribal sounds that conjure up visions of early Celtic or even Viking music. The fascinating compositions deliver a full sound from the three players, a large part due to their great arrangements and detailed touches that are irresistibly moving and likable, and pull you in like gravity. The players’ technical skills are flawless, of course, and bring the musical structures, themes, improvisations, and interplay right into focus.
The sounds of the piano and vibraphone work so well together in playing the radiant and emotional lines that Magnolia delivers. As Yamamoto and Yanagihara develop their evocative melodies over shimmering harmonic structures, percussionist Aikawa forms the frames of the music through a myriad of patterns and textures through her wide-ranging percussion.
Technically (pedantically), the piano and vibraphone are also considered to be percussion instruments, and this may be another reason why the three musicians are perfectly aligned with a cohesive single-mindedness. This shared ability reinforces the exciting rhythm, meter, and tempo changes sprinkled throughout their songs.
There are plenty of fresh approaches written into the music scores themselves that are interesting and fun, and the percussion beats delivered through Aikawa’s cajón, cymbals, shakers, bells, drums, sticks, shells, and other instruments, make it all the more stimulating as the rhythm sounds alternate and transform.
This spirit of freshness is clearly linked to their choice of band name. The refined and graceful magnolia flower is one of the first flowers to bloom in spring and has a fleeting blossoming period. The symbol of these strikingly beautiful flowers can be compared to sakura, or cherry blossoms, as both can symbolize Japanese mono no aware: the awareness and appreciation of impermanence, and that bittersweet transience that evokes beauty and sadness.
A quick tour through the album tracks starts with an instantly engaging track #1 “La vos del viento”, colorfully Spanish and exciting. #2 “Haru, Aozora” is a cheery and bright piece with breathtaking views. #3 “Short Stories No. 6” is a distinctive march-like story with ancient medieval folk aspects (as with Yamamoto’s other compositions, Reiko’s love of role-playing video games greatly influences how she tells stories through her music, and this is one chapter from her “Short Stories” series of songs).
Track #4 “Foggy Forest” is atmospherically prismatic and filled with curiosity. #5 “Fune” is another catchily ancient-sounding piece that paints a pre-modern tableau. #6 “Blue Mallet” is rousing and groovy, drenched with cinematic drama. #7 “Pause is peaceful and slightly blue, similarly powerful as soundtrack material. #8 “Hanakage” is another otherworldly, absorbing journey with a deep aura, undefinably Old English or Gaelic, perhaps. #9 “Furosato” is an affecting ballad, carrying the same heartwarming, nostalgic power as songs like “Danny Boy”. Finally, #10 “Swaying Willows” with its soft pop shuffle is all farewell hugs, fresh and positive with the promise of a warm welcome in the future.
El viento y las flores by Magnolia
- Reiko Yamamoto - vibraphone
- Yuka Yanagihara - piano
- Hitomi Aikawa - percussion
Released in 2022 on Magnolia as MGNL-0001
Japanese names: Reiko Yamamoto 山本玲子 (Yamamoto Reiko) Yuka Yanagihara 柳原由佳 (Yanagihara Yuka) Hitomi Aikawa 相川瞳 (Aikawa Hitomi)
Related Albums
- Reiko Yamamoto: The Square Pyramid (2019)
- Yuka Yanagihara Trio: Inner Views (2019)
- Yuka Yanagihara Trio: Beloved Ones (2024)
Links
Audio and Video
- Live version of #2 “Haru, Aozora” (the same video from a different source is here)
- Live version of #7 “Pause”
- Magnolia chatting about their 2023 tour (Japanese)
- Short compilation of excerpts from a 2022 live performance in Kyoto
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