Maiko: Reminiscence
Jazz of Japan #364 — Jazz violinist maiko’s new album Reminiscence is a milestone release for the Tokyo-based musician. It’s both a look back at...

Jazz violinist maiko’s new album Reminiscence is a milestone release for the Tokyo-based musician. It’s both a look back at her start 25 years ago when she moved to Tokyo and began to play jazz, as well as a gratitude-filled mark of appreciation to the many musicians she’s played with and the experiences she’s had through her years of development as live musician in Japan’s music scene.

This is her twelfth album spanning those many years, but her prior album Solo was released in 2018 so it’s been several years between that and this 2024 work. In her online notes for this album, she explains how the unsteady times for musicians during the coronavirus period sparked a period of reflection on her Tokyo-based musical life and introspection about her next musical statement. For this project, she choose nine new songs she had written during that period, and settled on the musical partners she would bring this new record to life with. The process involved thinking back over those formative years spent with these and other co-musicians, and especially her hometown of Kobe where it all began.
The songs are all originals by maiko, with one song co-written with Aya Kurosawa. Tied to the album’s theme, there is a sense of reflection overall, with a depth of feeling that could even be called a gentle moodiness to much of the music. Moodiness is not the best description as it’s not of a gloomy quality, but of a deeply connected awareness to the changes that time and situation bring, with both longing and hope in the memories.
The first half of the album ranges through maiko’s violin arranged with different combinations of duos and trios to paint images of haziness (“Mirage”), wisps of breeze (“Windmill”), and peaceable jauntiness (“Migratory Bird”). Track #4 “Futo,” features the duo of maiko on violin and Aya Kurosawa on piano and vocals unwinding an emotional ballad, a piece followed by the spinning complexity of “Rotating Sphere” where the ten strings of violin and guitar conjure up something exciting and mysterious.
From here, the album’s emotional directions turns further inward with slow to medium songs that embody the images conveyed by their titles: “Remininscence”, “Toi Kioku (Distant Memories)”, “Far away”, and “kiteki” all breathe with the feeling of nostalgic remembering and reflecting. As a final piece performed bravely alone and with a huge presence, Maiko plays track #9 “kiteki” as a violin solo, a heartfelt tribute to memories of her hometown shared intimately with her listeners.

Album Notes
(Translated from maiko’s online liner notes for this album.)
01.Mirage
A song created out of the pattern in the introduction. Feeling the haziness of a mirage, I wrote this song with the desire to express that sense of temperature and texture. Recorded as a trio of violin, piano, and bass, with guitar layered in.
02.Windmill
A song to represent something ever-turning and the wind. In the end, the image is one of wind power generation more than a windmill. Recorded with violin, piano, and voice.
03.Migratory Bird
This is a song I wrote for the trio with Shikou (piano) and Yuki (bass). I was inspired by Shikou Ito’s song “啼く鳥を探して” (Search for Singing Birds). This song developed through live performances, so this take is filled with that sense of playing a live concert.
04.ふと、 (Suddenly,)
Aya (piano/voice/vocals) and I wrote this song together. Initially I wrote a rough sketch of the song, and after that, Aya added poetry to the music. Aya and I started in May and continued with the season, a backdrop that is depicted in the music.
05.Rotating Sphere
A song I wrote for the duo with Kazuma (guitar). I was inspired by Kazuma’s song “Particle Dance”. As two different phrases ring out simultaneously like turning circles.
06.Reminiscence
This is a song I wrote when 20 years had passed since I came to Tokyo. It reflects back on the events that occurred during all that time and is filled with hope for the future.
07.遠い記憶 (Distant Memories)
The impression of pulling in memories from long ago. The duo with Shikou is two parts of a whole, recorded with the same sense of the wavering of time.
08.Far away
While thinking fondly of someplace remote, something far away…
09.kiteki (Steam Whistle)
This is a song that was originally expanded from a motif that was born during a violin improvisation solo concert. There is the sound of a boat’s steam whistle somewhere in my memories. I recorded this song at the end of this album as I thought about my hometown.

Liner Notes
(Translated from Aya Kurosawa’s lyrics for track #4 “ふと、 (Suddenly,)” printed on the CD cover)
Suddenly, (lyrics: Aya Kurosawa)
May’s chilly spring weather, suddenly, overlapping
As if guided by a single melody
Forward in time
Until these flowers bloom, let’s walk together
Until this pain is gone
Just like this
The color of tomorrow’s sky… no one knows
Blurred, dimmed, tied together
September’s swift winds, suddenly, hearts race
Like holding hands for the first time
Heartbeats resonate
Until the blue night is gone, I want to be together
Until this prayer comes to an end, just like this
The color of tomorrow’s sky is someone’s
Confirming our linked memories
February’s snow flurries, suddenly, burst forth

Obi Notes
Arriving somewhere warm
And the journey continues
maiko’s 25th anniversary album!
This album was created upon a foundation of the many encounters that have shaped her musical perspective, and maiko’s own now-established personal style. It’s a gem-filled collection packed with maiko’s musical life itself.

Reminiscence by maiko
- maiko - violin
- Shikou Ito - piano (#1, 2, 3, 6, 7, 8)
- Yuki Ito - bass (#1, 3, 8)
- Kazuma Fujimoto - guitar (#1, 5, 6)
- Aya Kurosawa - voice (#2), vocals, piano, lyrics (#4)
Released in 2024 on GardenNotes Music as GM-1026.
Japanese names: マイコ maiko 伊藤志宏 Ito Shikou 伊東佑季 Ito Yuki 藤本一馬 Fujimoto Kazuma 黒沢綾 Kurosawa Aya
Audio and Video
- “Mirage” - live performance (track #1)
- “Windmill” - live performance (track #2)
- “Migratory Bird” - live performance (track #3)
- ふと、(Futo,) - live performance (track #4)
- “Rotating Sphere” - live performance (track #5)
- “Reminiscence” - live performance (track #6)
- “遠い記憶” (Toui Kioku) - live performance (track #7)
- “Far Away” - live performance (track #8)
- Behind the scenes: Recording “Far away” (track #8):
- Excerpt from track #1: “Mirage”
Jazz of Japan #364 • May 10, 2026 • Brian McCrory
Related albums: Live! Three (2016), Solo (2018), The Tree of Life (2019), Dot (2023), Echo (2024)
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