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    <title>岡崎好朗 on Jazz of Japan | Brian McCrory</title>
    <link>https://www.jazzofjapan.com/tags/%E5%B2%A1%E5%B4%8E%E5%A5%BD%E6%9C%97/</link>
    <description>Recent content in 岡崎好朗 on Jazz of Japan | Brian McCrory</description>
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      <title>Naoko Tanaka: Appreciation</title>
      <link>https://www.jazzofjapan.com/naoko-tanaka-appreciation/</link>
      <pubDate>Sat, 24 Feb 2024 00:00:00 +0000</pubDate>
      <guid>https://www.jazzofjapan.com/naoko-tanaka-appreciation/</guid>
      <description>&lt;p&gt;&lt;em&gt;Appreciation&lt;/em&gt; is pianist and composer Naoko Tanaka’s 2022 jazz release, her latest in a series of exciting new albums from young Japanese musicians. Several of her previous leader albums (&lt;em&gt;Home&lt;/em&gt;, &lt;em&gt;I Fall In Love Too Easily&lt;/em&gt;, &lt;em&gt;Memories&lt;/em&gt;) featured her piano trio as a trio, which &lt;em&gt;Appreciation&lt;/em&gt; also does. But this release also brings in the expert sounds of horn players Yoshiro Okazaki (trumpet), Takayuki Sato (alto sax), and Mabumi Yamaguchi (tenor sax) for three songs. In the rhythm section with the sparkling star are her regular trio members Koji Yasuda on bass and Masanori Ando on drums.&lt;/p&gt;</description>
      <content:encoded><![CDATA[<p><em>Appreciation</em> is pianist and composer Naoko Tanaka’s 2022 jazz release, her latest in a series of exciting new albums from young Japanese musicians. Several of her previous leader albums (<em>Home</em>, <em>I Fall In Love Too Easily</em>, <em>Memories</em>) featured her piano trio as a trio, which <em>Appreciation</em> also does. But this release also brings in the expert sounds of horn players Yoshiro Okazaki (trumpet), Takayuki Sato (alto sax), and Mabumi Yamaguchi (tenor sax) for three songs. In the rhythm section with the sparkling star are her regular trio members Koji Yasuda on bass and Masanori Ando on drums.</p>
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<p>The jazz performance and original compositions on this album are focused on a few themes. One, perhaps most important and reflected in the title, is the sense of gratitude that Tanaka feels for others: her companions, musical partners, and no doubt her listeners and supporters as well.</p>
<p>Another goal for the pianist was to release an album full of her original songs. This includes one of her popular live show attractions, her tune “M.T.”, a fascinating uptempo swing number dedicated to and invoking certain comic book reptile heroes.</p>
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<p>In addition, there are other perfectly swung tunes, respectful of tradition while pushing forward with new songs and talent. Highlights include the rolling rhythms and skipping frolic of #1 “Hydrangea Flower”, the solid and inventive title track #4 “Appreciation”, and the cool mellowness of #5 “Aries”, aiming to be unbound by genre limits to appeal to all.</p>
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<p>Tying it all up in a lovely bow is the final track (and the only cover song on the album), #9 “Konomichi”, played by Tanaka as a soulful piano solo that captures a sentimental fondness in lovely light colors like the so many purple, pink, and blue flowers surrounding her in the cover image.</p>
<h2 id="liner-notes">Liner Notes</h2>
<p><em>(Translated from Naoko Tanaka’s album liner notes originally in Japanese.)</em></p>
<p>Thank you for getting this album.</p>
<p>I’ve always wanted to fill an album with my original songs, and I’m greatly thankful to the many people who helped this project become a reality. It’s a treasure for me to be able to record this love-filled album with my favorite musicians.</p>
<p>The recording truly reflects my account. When I listen back to the recording, it’s as if I can grasp the feeling of every moment of that time with each song. Such a record of myself is somewhat embarrassing, but I hope that you enjoy it.</p>
<p><strong>Hydrangea Flower</strong></p>
<p>I created this song with the image of my favorite hydrangea flowers with vivid colors and sparkling, raindrop-touched flower petals. The hydrangea were especially beautiful on the day of the recording, and as such this song became even more memorable. It became a great take with dynamic brilliance from the two horns.</p>
<p><strong>Monk’s Birthday</strong></p>
<p>This is a song dedicated to Thelonious Monk, one of my favorites. On October 10th, without knowing it was his birthday, I had a sudden desire to listen to Monk’s music. It’s a celebratory song that I happily wrote from this episode.</p>
<p><strong>M.T.</strong></p>
<p>It’s a song I’ve been playing for many years, one which some may consider to be my masterpiece (haha). I depict the world of the American comic that I love, <em>Teenage Mutant Ninja Turtles</em>. It’s a song full of tricky ninja-like moves and a thrilling performance for the trio.</p>
<p><strong>Appreciation</strong></p>
<p>This is a song I wrote for a live performance that marked the anniversary of my 2015 album <em>Memories</em>. As the meaning suggests, I performed this piece to express my gratitude to all of the people I’ve met along the way. Saxophone player Mabumi Yamaguchi, whom I greatly respect, often plays this song with me at live shows, so I summoned the courage to invite him to record this song with me.</p>
<p><strong>Aries</strong></p>
<p>As someone active in various musical genres, I wanted to record a song that was not bound by genre, and I chose an old song that I had written in the past. An image of the starry sky came to me, so I chose the title of <em>Aries</em>. There are a number of times when songs I wrote in the past take on a new, fresh feeling. It will be great if the younger generation also thinks “Wow, jazz is cool!”</p>
<p><strong>mine mine</strong></p>
<p>I was able to get a relaxing song that felt like floating near the seashore. Please enjoy the comfortable and poetic alto sax performance of Takayuki Sato.</p>
<p><strong>A New Day</strong></p>
<p>Actually, this song uses almost the same chord progressions as the jazz standard “Day by Day”. It’s fun to make a new song using a different melody, and to sometimes quote the original song. In fact, this melody came to me on the day before the recording and I quickly wrote it down. I could relax and perform with my favorite trio members who love to play standards.</p>
<p><strong>Strength</strong></p>
<p>This is one of the songs I wrote during a period of two months when I couldn’t perform any live shows in these times. I filled the music with the feeling of the music I want to make and the paths I want to take, and how strongly I felt that in times like these. With courage, I continue to work hard to make the music I love.</p>
<p><strong>Konomichi</strong></p>
<p>I performed Kosaku Yamada’s “Konomichi” as a solo piece. This song has had an idyllic image for a long time. I feel that there is something in common in the jazz spirit, of being proud of your hometown and where you came from. It’s a song that my grandfather loves and one that I always feel close to.</p>
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<h2 id="audio-and-video">Audio and Video</h2>
<ul>
<li><a href="https://youtu.be/T1fjBVpjrHg">Video for “Hydrangea Flower”, track #1 on this album:</a></li>
</ul>
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<ul>
<li><a href="https://youtu.be/Fy5efjvXFSI">Video for “Aries”, track #5 on this album:</a></li>
</ul>
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<ul>
<li><a href="https://youtu.be/FkBmAqbMcPk">A live version of “Appreciation”, track #4 on this album:</a></li>
</ul>
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<ul>
<li><a href="/audio/#mix-10">Excerpt from track #3: “M.T”</a></li>
</ul>
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    <item>
      <title>Naoko Tanaka Trio: Memories</title>
      <link>https://www.jazzofjapan.com/naoko-tanaka-trio-memories/</link>
      <pubDate>Sun, 18 Oct 2020 00:00:00 +0000</pubDate>
      <guid>https://www.jazzofjapan.com/naoko-tanaka-trio-memories/</guid>
      <description>&lt;p&gt;A satisfyingly neat outing, Naoko Tanaka Trio’s &lt;em&gt;Memories&lt;/em&gt; (2015) leaves a fresh impression of modern Japanese jazz trios. The playing on this album is both playful and precise, with considered arrangements and decorations sprinkled through the welcoming music. Light touches and coordinated rhythmic hits play a role, hinting at styles employed by greats such as the Ahmad Jamal Trio. Attention is paid to the structure of each song, and as with any good jazz record, those structures are filled out with each soloist’s improvisations, bouncing solos off the harmonic movements and the rhythmic frames.&lt;/p&gt;</description>
      <content:encoded><![CDATA[<p>A satisfyingly neat outing, Naoko Tanaka Trio’s <em>Memories</em> (2015) leaves a fresh impression of modern Japanese jazz trios. The playing on this album is both playful and precise, with considered arrangements and decorations sprinkled through the welcoming music. Light touches and coordinated rhythmic hits play a role, hinting at styles employed by greats such as the Ahmad Jamal Trio. Attention is paid to the structure of each song, and as with any good jazz record, those structures are filled out with each soloist’s improvisations, bouncing solos off the harmonic movements and the rhythmic frames.</p>
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<p>The nine-track listing includes seven originals by Tanaka, along with the Gershwin standard “But Not For Me” and a concluding piano-bass classical song. Most tracks feature piano trio with the young pianist firmly in command, releasing quick whirls of bluesy notes and graceful glides connected with flourishes of a technique rooted in classical training yet now dedicated to the jazz language with pomp and flair. On two tracks, the trio becomes a quartet with veteran jazz trumpeter Yoshiro Okazaki adding additional color and exceptional solos.</p>
<p>From the first track “Sailing” a bracing, uplifting mood is established, expanding into dreamy elegance on “Sign of Spring” and the groovy bossa bluesiness of “Cato-cha”. Other tracks range from the lovely ballad “Soramoyou”, good-natured midtempo swing on “But Not For Me” and “For…”. Slightly darker tracks like “NY No Omoide” and “Wall Street Blues” round out the presentation with moody and vibrant flashes of energy, while the final telling of a Chopin’s “Nocturne op.48-1” show pianist Tanaka and bassist Daikiu Yasukagawa in an expressive mood, calmly winding down the trip through <em>Memories</em> with a graceful maturity.</p>
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<h2 id="audio-and-video">Audio and Video</h2>
<ul>
<li><a href="https://youtu.be/WxALugIHpPI">Naoko Tanaka Trio performing live in 2018:</a></li>
</ul>
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<ul>
<li><a href="/audio/#mix-7">Excerpt from track #1: “Sailing”</a></li>
</ul>
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    <item>
      <title>Satoshi Kosugi: Bass on Times</title>
      <link>https://www.jazzofjapan.com/satoshi-kosugi-bass-on-times/</link>
      <pubDate>Thu, 08 Feb 2018 00:00:00 +0000</pubDate>
      <guid>https://www.jazzofjapan.com/satoshi-kosugi-bass-on-times/</guid>
      <description>&lt;p&gt;&lt;em&gt;Bass on Times&lt;/em&gt; is a 2009 album from jazz bassist Satoshi Kosugi, a well-known and active musician in Japan’s jazz scene spanning several decades. For this recording, Kosugi assembles familiar partners and veteran players such as the bluesy Shinji Hashimoto on guitar and Kazuhide Motooka on piano, to deliver hard-swinging standards such as “Monk’s Dream”, “Vierd Blues”, and “The Best Thing For You Would Be Me”. With good arrangements and strong bass, naturally, the well-established musicians deliver quality jazz with a genuine good spirit throughout this satisfying record. One happy highlight even has Kosugi joyfully whistling the melody on “There Goes My Heart” as he doubles with his bass line to open and close the swinging tune.&lt;/p&gt;</description>
      <content:encoded><![CDATA[<p><em>Bass on Times</em> is a 2009 album from jazz bassist Satoshi Kosugi, a well-known and active musician in Japan’s jazz scene spanning several decades. For this recording, Kosugi assembles familiar partners and veteran players such as the bluesy Shinji Hashimoto on guitar and Kazuhide Motooka on piano, to deliver hard-swinging standards such as “Monk’s Dream”, “Vierd Blues”, and “The Best Thing For You Would Be Me”. With good arrangements and strong bass, naturally, the well-established musicians deliver quality jazz with a genuine good spirit throughout this satisfying record. One happy highlight even has Kosugi joyfully whistling the melody on “There Goes My Heart” as he doubles with his bass line to open and close the swinging tune.</p>
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<h2 id="audio-and-video">Audio and Video</h2>
<ul>
<li><a href="https://youtu.be/mKf9_Mg3gEk">Satoshi Kosugi with Kanji Ohta and Kenichiro Murata playing “Chasin’ the Bird”:</a></li>
</ul>
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<ul>
<li><a href="/audio/#mix-1">Excerpt from track #1: “Monk&rsquo;s Dream”</a></li>
</ul>
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