荒玉哲郎 on Jazz of Japan | Brian McCrory https://www.jazzofjapan.com/tags/%E8%8D%92%E7%8E%89%E5%93%B2%E9%83%8E/ Recent content in 荒玉哲郎 on Jazz of Japan | Brian McCrory Hugo en-us Mon, 03 Feb 2020 00:00:00 +0000 Azumi: Almost Like Being in Love https://www.jazzofjapan.com/azumi-almost-like-being-in-love/ Mon, 03 Feb 2020 00:00:00 +0000 https://www.jazzofjapan.com/azumi-almost-like-being-in-love/ <p>Jazz singer Azumi’s 2010 release <em>Almost Like Being in Love</em> is a cheery and ebullient jazz album filled with fresh takes on classic jazz standards. With well-thought-out arrangements and a satisfying choice of tunes, a variation of moods with an undercurrent of lively swing is established right from the inviting title track. Other standards include “On Green Dolphin Street”, “My Favorite Things”, and “Raindrops Keep Falling On My Head”, played as a cute jazz march.</p> Jazz singer Azumi’s 2010 release Almost Like Being in Love is a cheery and ebullient jazz album filled with fresh takes on classic jazz standards. With well-thought-out arrangements and a satisfying choice of tunes, a variation of moods with an undercurrent of lively swing is established right from the inviting title track. Other standards include “On Green Dolphin Street”, “My Favorite Things”, and “Raindrops Keep Falling On My Head”, played as a cute jazz march.

Other facets include bossanova groove on “One Note Samba” and “No More Blues” and quiet romance on ballads and love songs. One highlight from the latter category is the popular Minnie Riperton classic “Lovin’ You”, a frequent request from Azumi’s songbook and a brilliant showcase for her smooth and lovely vocal range.

With the essence of soft blues and pure whites like the album design itself, Azumi’s delicate voice floats gracefully over the music with a sunny confidence well suited to her outlook as an evangelist for happy living. Like both jazz and life, balancing tradition and novel reinvention, moments of glowing energy surface alongside the swinging beats and slower ballads, especially when pianist Sachiko Ikuta and the band sets loose with vigorous improvisation and heavier rhythms.

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