Jo Da Babylonia on Jazz of Japan | Brian McCrory https://www.jazzofjapan.com/tags/jo-da-babylonia/ Recent content in Jo Da Babylonia on Jazz of Japan | Brian McCrory Hugo en-us Fri, 05 Feb 2021 00:00:00 +0000 Yuka Ueda: Dois https://www.jazzofjapan.com/yuka-ueda-dois/ Fri, 05 Feb 2021 00:00:00 +0000 https://www.jazzofjapan.com/yuka-ueda-dois/ <p>On Yuka Ueda’s 2013 release <em>Dois,</em> the Japanese singer assembles thirteen songs from her Brazilian and Latin repertoire that she’s perfected at live spots and events around Japan. The track listing satisfies with many deep gems and a few common Jobim tunes, a boon for jazz listeners who may be weary of the usual bossa novas. Definitely not background music, this album is active with a strong spirit and spicy energy powered by swaying hip rhythms and oscillations tuned to the bones.</p> On Yuka Ueda’s 2013 release Dois, the Japanese singer assembles thirteen songs from her Brazilian and Latin repertoire that she’s perfected at live spots and events around Japan. The track listing satisfies with many deep gems and a few common Jobim tunes, a boon for jazz listeners who may be weary of the usual bossa novas. Definitely not background music, this album is active with a strong spirit and spicy energy powered by swaying hip rhythms and oscillations tuned to the bones.

Guiding the music is the full voice of the vocalist Ueda, singing in Portuguese and booming with honey richness and strength, swirling around and through the music with a gravitational pull on the dynamics. The music sizzles with kinetic energy and sheer pleasure, and Ueda’s confidence and control fits the bill grandly.

As with her debut album Agora, the singer is supported by her familiar guitar and piano mates Shinji Hashimoto and Junichiro Ohkuchi. For Dois, she adds bassist Ryoji Orihara and drummer Nobuyuki Komatsu to the rhythm section for extra vigor and irresistible samba beats, experts at creating the rhythmic currents that soothe, pulse, and energize. Guest Jo Da Babylonia also joins on cavaquinho on three tracks, adding a classical guitar/ukelele sound which enhances the Brazilian sound with keen, invigorating vibrations.

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