Perhaps not well-known among standard jazz fans, the Routine Jazz Label from famed producer and DJ Kei Kobayashi gained international renown with “club jazz” compilations such as Schema, Deja Vu, and Ricky-Tick, beat-oriented music remixed with jazz and bossa nova samples for dance clubs and trance-leaning airwaves.

Here, Kobayashi joins forces with Takehiko Komine (owner of respected Tokyo jazz club Nardis) to produce “Routine Jazz Sextet”, a tongue-in-cheek comment on his popular club jazz albums, advertised as a “genuine jazz from Tokyo” response to popular club jazz. While straightforward jazz, in one way this is a crossover album, picking songs from the hard bop era that relate to samples and music used in club jazz.

With nine tracks over 39 minutes, the music is propulsive, boiling and full of energy. Most of the songs run at around four minutes, straight-ahead showcases for the horn arrangements and improvisations, as well as the unflagging power of the rhythm section which steams through the tracks. The songs include a nice blend of selections from America and Europe, bringing to mind the sounds of Cannonball Adderley, Wayne Shorter, and Ray Bryant, and of course the aforementioned hard bop giants Art Blakey and Horace Silver. Routine in name only, this is wholly enjoyable from start to finish.

Audio and Video

• Promotional video for a related album from Routine Jazz Quintet:

• Excerpt from track #3: “The Crosseyed Cat”

Doi’s mature compositions embrace the sounds of jazz in various settings: mid-tempo walking jazz, energetic and frenetic jazz, and elegiac European classical sounds. Like many other modern recordings, facets of bebop, hard-bop, and cool jazz influences also surface effortlessly in the soulful music.

The woody tone of the clarinet makes the music organic and present, breathy and pure. Doi’s clarinet spins out long strands of wild jazz improvisation on “Velvet Sun” and “Kids ’24-7′” and cheerful poppy jazz on the catchy album closer “Off Duty”. Yet perhaps even more compelling are the meditatively quiet moments on “One Little Spark”, “Euphoria”, and the title track “Amalthea”, where the quartet fashions a Miles Davis/Bill Evans “Blue In Green” mood of atmospheric calm and beauty.

Audio and Video

• Several audio excerpts serving as an introduction to the Tokuhiro Doi Quartet live:

• A recent video of Tokuhiro Doi playing “Stella By Starlight” with pianist Akane Matsumoto:

• Excerpt from track #1: “Years”