Those musical statements make up ten tracks that run for over an hour’s worth of material. Matsuo’s quartet plays on eight of the tracks with performances that flow atmospherically between robust displays of fun virtuosity and more laid-back pieces. Two tracks feature Matsuo alone on overdubbed guitar, simulating a duo that offers a view into his lyrical writing and close-up playing style.

It’s also interesting to note that the category keywords tagged to the online digital version of this album include acoustic, country, and folk along with jazz, and although Matsuo’s influence and personal style may lean towards these different genres here and there, the overriding jazz spirit, attitude, and improvisational showcases are the main features of this album, from start to finish.

Sticker Notes

Wildness and intelligence intertwine, stirring up the fiery sparks of tumultuous phrases. This is guitarist Yudo Matsuo’s first album in six years, recorded with his perfect lineup for a quartet. Beautiful fingers race elegantly over his original songs that are brimming with ideas.

Audio and Video

• Time Thieves (track #5) - live version:

• Asalato (track #7) - live version:

• Recording studio montage:

• Digital album streaming/download (Bandcamp)

• Excerpt from track #2: “Blue violet”

The core band is made up of guitar, trumpet, fretless electric bass, and drums, with guest keyboard on three tracks adding a warm bluesy sound for extra soul. While much of the music is built around a fusion jazz/rock mood which runs through the album, the dial also moves to include smooth jazz sounds, evocative jazz waltzes, and pop, including a rendition of “Blackbird” by The Beatles. One track, “Loplop”, comes closest to pure bop guitar with a fast swing beat and walking bass, where Matsuo plays quick jazzy lines in the style of guitarists such as Tal Farlow and Pat Martino.

Bonanza’s jazz/fusion side is displayed best on the track “Wicked Wind”, an 11-plus minute jam which boils with energy and echoes the electric fusion periods of Miles Davis and Herbie Hancock to some extent. With developed excitement on extended trumpet and guitar solos played over a rousing bass and drum riff, and including a drum feature near the end, one almost expects to hear a crowd’s roar after the final note is played. In fact, a second alternate take of this song is included near the end of the album, a welcome encore of this satisfying set piece.

All the musician shine with visceral playing and a clean sound, with solos, duos, and group features arranged among the songs. Adding to the variations in mood are Matsuo’s use of acoustic and electric guitar selected to suit the material, as well as trumpeter Keisuke Nakamura alternating between trumpet, flugelhorn, and even adding real-time delay, wah-wah, and distortion effects to his horn at several dramatic moments. As for the indefatigable rhythm section, the impressively twisty lines from bassist Ryoji Orihara move with glissando slides, deep pops, and high ringing harmonic tones, and add a lot to the music along with the tight patterns and quick reactions from drummer Yasushi Fukumori, who uses the complete set to great effect with brilliant dynamics and incredible playing.

Audio and Video

• Bonanza performing “Loplop” live, the seventh track on this album:

• Excerpt from track #4: “Wicked Wind”